Table of Contents
- 1 Does Asterion kills Theseus in the short story The House of Asterion?
- 2 What happens to Asterion at the end of the House of Asterion?
- 3 Who is the protagonist of the House of Asterion?
- 4 What is the importance of redemption in the House of Asterion?
- 5 What happens in the House of Asterion after death?
- 6 Who is the author of the House of Asterion?
Does Asterion kills Theseus in the short story The House of Asterion?
This house is Asterion’s universe and the universe is his house. Nine young men are delivered to his house every nine years for Asterion to “free from all evil”, with no explained intention. Contrary to the Minotaur, Asterion accepts Theseus and does not fight against his fate.
What happens to Asterion at the end of the House of Asterion?
Even in death Asterion has found not only contentment but satisfaction too. He has been misunderstood by others and in death he is freed. No longer does he have to live in his labyrinth knowing that people were afraid of him. He is free to live his life as he sees fit.
Is Asterion a prisoner?
Although Asterion denies it vehemently, he is also a prisoner of his own loneliness, his otherness, his condition of monster. For some unexplained reason, nine young men are sent to his house very nine years for him to “free from all evil” (he says that their corpses help him navigate the corridors).
What is the plot of the House of Asterion?
The House of Asterion is a short story by Jorge Luis Borges that retells the classical myth of the Cretan Minotaur from an alternate perspective. The House of Asterion features the Minotaur, aka Asterion, who waits for “redemption” in his labyrinth.
Who is the protagonist of the House of Asterion?
Background and publication history In the epilogue to his 1949 short-story collection The Aleph, Borges wrote that the inspiration for “The House of Asterion” and the “character of its sad protagonist” was The Minotaur, a painting completed in 1885 by English artist George Frederic Watts.
What is the importance of redemption in the House of Asterion?
A systemic functional stylistic reading suggests that on a higher level of reality, Asterion’s redemption is not only the freedom that death affords, but also a transformation that transcends his fictional universe.
What myth does the House of Asterion expand on?
The story was first published in 1947 in the literary magazine Los Anales de Buenos Aires and republished in Borges’s short story collection The Aleph in 1949. It is based on the Greek myth of Theseus and the Minotaur and is told from the perspective of Asterion, the Minotaur.
Who is the protagonist in the House of Asterion?
Asterion’s twofold redemption is brought about not only by the archetypal hero Theseus but also by the reader, who through the process of reading enables Asterion’s emancipation from the labyrinth. the labyrinth. of interpretation as s/he reads the text” (Nicol, 2009: p.
What happens in the House of Asterion after death?
Even in death Asterion has found not only contentment but satisfaction too. He has been misunderstood by others and in death he is freed. No longer does he have to live in his labyrinth knowing that people were afraid of him. He is free to live his life as he sees fit.
” The House of Asterion ” (original Spanish title: ” La casa de Asterión “) is a short fantasy and horror story by Argentine writer Jorge Luis Borges, first published in Los Anales de Buenos Aires in May 1947. It was reprinted in the short-story collection El Aleph in 1949. The story takes the form of a monologue by Asterion.
How does Asterion spend his days in solitude?
Asterion explains how he spends his days in solitude: running through the corridors; pretending to sleep; and sometimes pretending that “the other Asterion” has come to visit, and giving him a tour of the house. Asterion goes into detail about the infinitude of his house, comparing it to the universe.
What did Borges change in the House of Asterion?
For instance, Borges replaced the phrase “los griegos” (the Greeks) with “los hombres” (the men) in the third sentence, removing a potential intimation of Greek mythology.