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What did Norman McLaren create?
Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer.
How many films did Norman McLaren make?
In time, he developed a system of cards with patterns on them which he photographed directly onto the soundtrack area. Synchromy and Mosaic are two striking examples of this way of making music. In all, McLaren made 60 films.
How did Norman McLaren change animation?
As he got older, McLaren turned increasingly to manipulating machines rather than a pen. For his 1968 film Pas de deux he used the optical printer when he repeatedly superimposed delayed image after delayed image of two dancers, the effect being an enhancing of the movement and an enrapturing of the viewer.
What was Norman McLaren first type of experimentation with animation?
The film unit’s staff was known for producing highly regarded experimental work, and McLaren trained with filmmakers Alberto Cavalcanti and Evelyn Cherry. At this time, he began to experiment with animated sound, creating percussive elements on a film’s audio strip using pen and ink.
Who was Norman McLaren and what did he do?
Norman McLaren, CC CQ (11 April 1914 – 27 January 1987) was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film,…
Where did Norman McClaren go to film school?
Norman McClaren is one of the most awarded filmmakers in the history of Canadian cinema, and a pioneer in both animation and filmmaking. Born in Scotland, he entered the Glasgow School of Fine Arts in 1932 to study set design.
When did Norman McLaren become interested in animation?
McLaren’s first introduction to animation came at the age of seven, when he first viewed Felix the Cat and Mickey Mouse cartoons, as well as Walt Disney ‘s “Silly Symphony” series. McLaren did not become interested in film until he was a teenager, however, and grew intrigued by the work of Russian filmmakers Vsevolod Pudovkin and Sergei Eisenstein.
When did Norman McLaren work at the GPO?
McLaren worked at the GPO from 1936 to 1939, making four films including: Book Bargain (1937), Mony a Pickle and Love on the Wing (1938), and News for the Navy (1938).